約 4,528,872 件
https://w.atwiki.jp/realpiano_e/pages/18.html
Use Remote Control HUD Please equip with remote control HUD before starting setting of action parts. Settings for Action Parts The RGP-A1 has 3 action parts. fallboard is the board which was united with the front cover, and coveres the keys. Touch the fallboard to open it. Touch the front cover or opened fallboard to display menu. To close fallboard, display menu and choose "close all". If you want to do these operations with remote control HUD, Please touch the following buttons. open/close fallboard close front cover slide up flip up with light top with light 屋根は、大きな翼型の広い部分と、手前の長方形の部分とに分かれています。大きな部分に１回タッチすると、屋根が少しだけ開き、短突上げ棒（つきあげぼう）が起こされて屋根を支えます。もう一度タッチすると、今度は屋根が大きく開き、長突上げ棒が屋根を支えます。 屋根が開くと譜面台パーツが見えたと思います。そうしたら、パーツ中央の譜面台部分にタッチして、譜面台を起こしてみましょう。 さて、下の写真のような状態になりましたか？ Lock/Unlock Action Parts
https://w.atwiki.jp/fujirep/pages/33.html
Thank you. I m honored to be with you today for your commencement from one of the finest universities in the world. Truth be told, I never graduated from college and this is the closest I ve ever gotten to a college graduation. Today I want to tell you three stories from my life. That s it. No big deal. Just three stories. The first story is about connecting the dots. I dropped out of Reed College after the first six months but then stayed around as a drop-in for another eighteen months or so before I really quit. So why did I drop out? It started before I was born. My biological mother was a young, unwed graduate student, and she decided to put me up for adoption. She felt very strongly that I should be adopted by college graduates, so everything was all set for me to be adopted at birth by a lawyer and his wife, except that when I popped out, they decided at the last minute that they really wanted a girl. So my parents, who were on a waiting list, got a call in the middle of the night asking, "We ve got an unexpected baby boy. Do you want him?" They said, "Of course." My biological mother found out later that my mother had never graduated from college and that my father had never graduated from high school. She refused to sign the final adoption papers. She only relented a few months later when my parents promised that I would go to college. This was the start in my life. And seventeen years later, I did go to college, but I naïvely chose a college that was almost as expensive as Stanford, and all of my working-class parents savings were being spent on my college tuition. After six months, I couldn t see the value in it. I had no idea what I wanted to do with my life, and no idea of how college was going to help me figure it out, and here I was, spending all the money my parents had saved their entire life. So I decided to drop out and trust that it would all work out OK. It was pretty scary at the time, but looking back, it was one of the best decisions I ever made. The minute I dropped out, I could stop taking the required classes that didn t interest me and begin dropping in on the ones that looked far more interesting. It wasn t all romantic. I didn t have a dorm room, so I slept on the floor in friends rooms. I returned Coke bottles for the five-cent deposits to buy food with, and I would walk the seven miles across town every Sunday night to get one good meal a week at the Hare Krishna temple. I loved it. And much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on. Let me give you one example. Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer was beautifully hand-calligraphed. Because I had dropped out and didn t have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and sans-serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can t capture, and I found it fascinating. None of this had even a hope of any practical application in my life. But ten years later when we were designing the first Macintosh computer, it all came back to me, and we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts, and since Windows just copied the Mac, it s likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on that calligraphy class and personals computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college, but it was very, very clear looking backwards 10 years later. Again, you can t connect the dots looking forward. You can only connect them looking backwards, so you have to trust that the dots will somehow connect in your future. You have to trust in something--your gut, destiny, life, karma, whatever--because believing that the dots will connect down the road will give you the confidence to follow your heart, even when it leads you off the well-worn path, and that will make all the difference. My second story is about love and loss. I was lucky. I found what I loved to do early in life. Woz and I started Apple in my parents garage when I was twenty. We worked hard and in ten years, Apple had grown from just the two of us in a garage into a $2 billion company with over 4,000 employees. We d just released our finest creation, the Macintosh, a year earlier, and I d just turned thirty, and then I got fired. How can you get fired from a company you started? Well, as Apple grew, we hired someone who I thought was very talented to run the company with me, and for the first year or so, things went well. But then our visions of the future began to diverge, and eventually we had a falling out. When we did, our board of directors sided with him, and so at thirty, I was out, and very publicly out. What had been the focus of my entire adult life was gone, and it was devastating. I really didn t know what to do for a few months. I felt that I had let the previous generation of entrepreneurs down, that I had dropped the baton as it was being passed to me. I met with David Packard and Bob Noyce and tried to apologize for screwing up so badly. I was a very public failure and I even thought about running away from the Valley. But something slowly began to dawn on me. I still loved what I did. The turn of events at Apple had not changed that one bit. I d been rejected but I was still in love. And so I decided to start over. I didn t see it then, but it turned out that getting fired from Apple was the best thing that could have ever happened to me. The heaviness of being successful was replaced by the lightness of being a beginner again, less sure about everything. It freed me to enter one of the most creative periods in my life. During the next five years I started a company named NeXT, another company named Pixar and fell in love with an amazing woman who would become my wife. Pixar went on to create the world s first computer-animated feature film, "Toy Story," and is now the most successful animation studio in the world. In a remarkable turn of events, Apple bought NeXT and I returned to Apple and the technology we developed at NeXT is at the heart of Apple s current renaissance, and Lorene and I have a wonderful family together. I m pretty sure none of this would have happened if I hadn t been fired from Apple. It was awful-tasting medicine but I guess the patient needed it. Sometimes life s going to hit you in the head with a brick. Don t lose faith. I m convinced that the only thing that kept me going was that I loved what I did. You ve got to find what you love, and that is as true for work as it is for your lovers. Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work, and the only way to do great work is to love what you do. If you haven t found it yet, keep looking, and don t settle. As with all matters of the heart, you ll know when you find it, and like any great relationship it just gets better and better as the years roll on. So keep looking. Don t settle. My third story is about death. When I was 17 I read a quote that went something like "If you live each day as if it was your last, someday you ll most certainly be right." It made an impression on me, and since then, for the past 33 years, I have looked in the mirror every morning and asked myself, "If today were the last day of my life, would I want to do what I am about to do today?" And whenever the answer has been "no" for too many days in a row, I know I need to change something. Remembering that I ll be dead soon is the most important thing I ve ever encountered to help me make the big choices in life, because almost everything--all external expectations, all pride, all fear of embarrassment or failure--these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart. About a year ago, I was diagnosed with cancer. I had a scan at 7 30 in the morning and it clearly showed a tumor on my pancreas. I didn t even know what a pancreas was. The doctors told me this was almost certainly a type of cancer that is incurable, and that I should expect to live no longer than three to six months. My doctor advised me to go home and get my affairs in order, which is doctors code for "prepare to die." It means to try and tell your kids everything you thought you d have the next ten years to tell them, in just a few months. It means to make sure that everything is buttoned up so that it will be as easy as possible for your family. It means to say your goodbyes. I lived with that diagnosis all day. Later that evening I had a biopsy where they stuck an endoscope down my throat, through my stomach into my intestines, put a needle into my pancreas and got a few cells from the tumor. I was sedated but my wife, who was there, told me that when they viewed the cells under a microscope, the doctor started crying, because it turned out to be a very rare form of pancreatic cancer that is curable with surgery. I had the surgery and, thankfully, I am fine now. This was the closest I ve been to facing death, and I hope it s the closest I get for a few more decades. Having lived through it, I can now say this to you with a bit more certainty than when death was a useful but purely intellectual concept. No one wants to die, even people who want to go to Heaven don t want to die to get there, and yet, death is the destination we all share. No one has ever escaped it. And that is as it should be, because death is very likely the single best invention of life. It s life s change agent; it clears out the old to make way for the new. right now, the new is you. But someday, not too long from now, you will gradually become the old and be cleared away. Sorry to be so dramatic, but it s quite true. Your time is limited, so don t waste it living someone else s life. Don t be trapped by dogma, which is living with the results of other people s thinking. Don t let the noise of others opinions drown out your own inner voice, heart and intuition. They somehow already know what you truly want to become. Everything else is secondary. When I was young, there was an amazing publication called The Whole Earth Catalogue, which was one of the bibles of my generation. It was created by a fellow named Stuart Brand not far from here in Menlo Park, and he brought it to life with his poetic touch. This was in the late Sixties, before personal computers and desktop publishing, so it was all made with typewriters, scissors, and Polaroid cameras. it was sort of like Google in paperback form thirty-five years before Google came along. I was idealistic, overflowing with neat tools and great notions. Stuart and his team put out several issues of the The Whole Earth Catalogue, and then when it had run its course, they put out a final issue. It was the mid-Seventies and I was your age. On the back cover of their final issue was a photograph of an early morning country road, the kind you might find yourself hitchhiking on if you were so adventurous. Beneath were the words, "Stay hungry, stay foolish." It was their farewell message as they signed off. "Stay hungry, stay foolish." And I have always wished that for myself, and now, as you graduate to begin anew, I wish that for you. Stay hungry, stay foolish. Thank you all, very much.
https://w.atwiki.jp/leathermanunofficial/pages/56.html
サイズ：Heavy-Duty、Full-Size、Pocket-Size、Keychain サイズ モデル名 (USA公式サイトへのリンク) 機能数 販売 廃盤 CLOSED LENGTH WEIGHT BLADE LENGTH H Crunch 15 1999 10 cm (4in) 196g (6.9oz) 5.59cm (2.2in) H Super Tool 18 1994 2001 11.5cm (4.5in) 260g (9oz) 7.62cm (3in) H Super Tool 200 18 2001 2005 11.5cm (4.5in) 160g (9oz) 7.62cm (3in) H Core 19 2005 2009 11.5cm (4.5in) 307g (10.8oz) 8.13cm (3.2 in) H Super Tool 300 19 2009 11.5cm (4.5in) 272.15g (9.6oz) 8.13cm (3.2in) H Super Tool 300 EOD 19 2010 11.5cm (4.5in) 283.5g (10oz) 8cm (3.14in) H Surge - Original 21 2005 2013 11.5cm (4.5in) 355g (12.5oz) 7.87cm (3.1in) H Surge - Update 21 2013 11.5cm (4.5in) 335g (12.5oz) 7.87cm (3.1in) H MUT 16 2010 12.7cm (5in) 317.5g (11.2oz) 7.62cm (3in) H MUT EOD 15 2010 12.7cm (5in) 317.5g (11.2oz) 7.62cm (3in) H OHT 16 2012 11.5cm (4.5in) 280.6g (9.9oz) 6cm (2.37in) F Raptor 06 2013 12.7cm (5in) 164g (5.8oz) 4.8cm (1.9in) F PST 14 1983 2004 10cm (4in) 142g (5oz) 7.37cm (2.9in) F PST II 15 1996 2004 10cm (4in) 142g (5oz) 7.37cm (2.9in) F Sideclip 12 1998 2004 10cm (4in) 142g (5oz) 5.72cm (2.3 in) F Wave - Original 16 1998 2004 10cm (4in) 224g (8oz) 7.37cm (2.9in) F New Wave 17 2004 2018 10cm (4in) 241g (8.5oz) 7.37cm (2.9in) F Wave + 18 2018 10cm (4in) 241g (8.5oz) 7.37cm (2.9in) F Flair 16 1999 2004 10cm (4in) 155g (5.5oz) 7.37cm (2.9in) F Pulse 15 2000 2004 10cm (4in) 170g (6oz) 7.37cm (2.9in) F Blast 16 2004 2012 10cm (4in) 196g (6.9oz) 7.62cm (3.0in) F Fuse 13 2004 2012 10cm (4in) 170g (6oz) 7.62cm (3.0in) F Kick 12 2004 2012 10cm (4in) 147g (5.2oz) 6.60cm(2.6in) F Charge Ti 17 2004 2008 10cm (4in) 238g (8.4oz) 7.37cm (2.9in) F Charge XTi 18 2004 2008 10cm (4in) 235g (8.3oz) 7.37cm (2.9in) F Charge AL 17 2006 2018 10cm (4in) 235g (8.3oz) 7.37cm (2.9in) F Charge ALX 18 2006 2018 10cm (4in) 235g (8.3oz) 7.37cm (2.9in) F Charge + 19 2018 10cm (4in) 235g (8.3oz) 7.37cm (2.9in) F Charge TTi - Original 19 2006 2013 10cm (4in) ---g (-.-oz) 7.37cm (2.9in) F Charge TTi - Update 19 2013 2018 10cm (4in) 232g (8.2oz) 7.37cm (2.9in) F Charge + TTI 19 2018 10cm (4in) 252g (8.89oz) 7.37cm (2.9in) F Sidekick 14 2011 9.7cm (3.8in) 198.4g (7oz) 6.6cm (2.6in) F Wingman 14 2011 9.7cm (3.8in) 198.4g (7oz) 6.6cm (2.6in) F Rev 13 2014 9.7cm (3.8in) 168g (5.9oz) 6.6cm (2.6in) F Rebar 17 2012 10.16cm (4in) 189.94g (6.7oz) 7.36cm (2.9in) F Signal 19 2015 11.43cm (4.5in) 212.6g (7.5oz) 6.93cm (2.73in) P Juice C2 - Original 12 2001 2013 8.25cm (3.25in) 122g (4.3oz) 6.60cm (2.6in) P Juice S2 - Original 12 2001 2013 8.25cm (3.25in) 125g (4.4oz) 6.60cm (2.6in) P Juice SX - Original 11 2001 2013 8.25cm (3.25in) 122g (4.3oz) 6.60cm (2.6in) P Juice CS4 - Original 15 2001 2013 8.25cm (3.25in) 156g (5.5oz) 6.60cm (2.6in) P Juice XE6 - Original 18 2001 2013 8.25cm (3.25in) 190g (6.7oz) 6.60cm (2.6in) P Juice KF4 16 2001 2005 8.25cm (3.25in) 165g (5.5oz) 6.60cm (2.6in) P Juice Pro -- 2002 2003 -cm (-in) -g (-oz) -cm (-in) P Juice SC2 -- 2003 2005 -cm (-in) -g (-oz) -cm (-in) P Juice C2 12 2014 8.26cm (3.25in) 125g (4.4oz) 5.77cm (2.27in) P Juice S2 12 2014 8.26cm (3.25in) 131g (4.6oz) 5.77cm (2.27in) P Juice SX 11 2014 8.26cm (3.25in) 125g (4.4oz) 5.77cm (2.27in) P Juice CS4 15 2014 8.26cm (3.25in) 159g (5.6oz) 5.77cm (2.27in) P Juice XE6 18 2014 2018 8.26cm (3.25in) 195g (6.9oz) 5.77cm (2.27in) P Skeletool 07 2008 10cm (4in) 142g (5.0oz) 6.60cm (2.6in) P Skeletool CX 07 2008 10cm (4in) 142g (5.0oz) 6.60cm (2.6in) P Skeletool SX 08 2014 10cm (4in) 142g (5.0oz) 6.60cm (2.6in) P Freestyle 05 2009 8.76cm (3.45in) 127.57g (4.5oz) 6.60cm (2.6in) P Freestyle CX 05 2009 2012 8.76cm (3.45in) 127.57g (4.5oz) 6.60cm (2.6in) P Leap 13 2014 8.3cm (3.30in) 138g (4.9oz) 5.5cm (2.17in) K Mini Tool 10 1986 2004 7cm (2.6in) 114g (4oz) 3.81cm (1.5in) K Micra 10 1996 6.5cm (2.5in) 51g (1.8oz) 4.06cm (1.6in) K Squirt P4 10 2002 2010 5.75cm (2.25in) 57g (2oz) 4.06cm (1.6in) K Squirt S4 10 2002 2010 5.75cm (2.25in) 54g (1.9oz) 4.06cm (1.6in) K Squirt E4 10 2003 2010 5.75cm (2.25in) 54g (1.9oz) 4.06cm (1.6in) K Squirt ES4 09 2010 5.72cm (2.25in) 56.4g (1.9oz) 4.06cm (1.6in) K Squirt PS4 09 2010 5.72cm (2.25in) 56.4g (2oz) 4.06cm (1.6in) K Style CS 06 2010 7.5cm (2.9in) 41.1g (1.4oz) 4.06cm (1.6in) K Style PS 08 2011 7.5cm (2.9in) 44.7g (1.58oz)
https://w.atwiki.jp/tohomusicdb/pages/368.html
新幻想 ～ New Fantasy（WAV版） 作品：稀翁玉 シーン：ミリアのテーマ データ BPM 拍子 再生時間 調性 使用楽器 コード進行 ZUN氏コメント ミリアのテーマ この曲が一番昔に創った曲です。ちょうど１年前位に。 ほとんどがピアノで構成されてる曲、の割には、ピアノらしからぬノリなところが ポイント（じゃない） （出典：「稀翁玉」MusicRoomより） この曲が一番古い曲です。今年の１月に創りました。 まだ、ゲームのゲの字も無かった頃ですね(^^; ちょうど新世紀がセンセーショナルだったので、こんな曲名。 いや、そんなに大げさな曲じゃないんだけど（笑） (出典：「創曲幻想」.txtより) 解説 新幻想 ～ New Fantasy（MIDI版） 作品：稀翁玉 シーン：ミリアのテーマ データ BPM 拍子 4/4拍子 再生時間 2 55 調性 【intro/A】ロ短調(Bm)【B】ホ短調(Em)【A'】ロ短調(Bm)【B'】ホ短調(Em)【C】ロ短調(Bm)【D】ホ短調(Em) 使用楽器 コード進行 【intro（11小節）】Bm│Bm│Bm│Bm A│G│G A│G│G A│G A Bm│Bm│Bm/D 【A（16）】Bm│Bm│G │G │A│F#│G│A A#m(♭5)│～2x 【B（16）】C│C D│Em│Em D│～3xC│C D│Em│Em Bm A/C#│ 【A'（16）】Bm│Bm│G │G │A│F#│G│A A#m(♭5)│～2x 【B'（16）】C│C D│Em│Em D│～3xC│C D│Em│Em Bm A/C#│ 【C（16）】Bm│Bm│G │G │A│F#│G│A A#m(♭5)│～2x 【D（16）】C│C D│Em│Em D│～4x ZUN氏コメント 上記参照。 解説 コメント この曲の話題なら何でもOK！ 名前 コメント すべてのコメントを見る
https://w.atwiki.jp/presenile/pages/658.html
I wake up lonely your next to me I don t know if I ve survived my sleep Don t you know me I m your agony Don t detest me Try to live inside me I want to break through your skin but... I don t mind I don t care I can t see the sky from here What have you done? I don t mind I don t care I can t feel my soul down here What have you done? Your getting closer trying to leave Begging for mercy please let me be Don t you see it? Life becomes unreal Dont t you feel it? I want to break through your skin... What have you done? This Lyrics was downloaded from SING365.COM via proxy. See "About US" of SING365.COM about the COPYRIGHT
https://w.atwiki.jp/c0metssd/pages/109.html
https //www.youtube.com/watch?v=s6TtwR2Dbjg Heaven / ヘブン （Bryan Adams / ブライアン・アダムス）1985 Oh thinkin about all our younger years There was only you and me We were young and wild and free Now nothin can take you away from me We ve been down that road before But that s over now You keep me comin back for more Baby you re all that I want When you re lyin here in my arms I m findin it hard to believe We re in heaven And love is all that I need And I found it there in your heart It isn t too hard to see We re in heaven Oh - once in your life you find someone Who will turn your world around Bring you up when you re feelin down Ya - nothin could change what you mean to me Oh there s lots that I could say But just hold me now Cause our love will light the way N baby you re all that I want When you re lyin here in my arms I m findin it hard to believe We re in heaven And love is all that I need And I found it there in your heart It isn t too hard to see We re in heaven I ve been waitin for so long For something to arrive For love to come along Now our dreams are comin true Through the good times and the bad Ya - I ll be standin there by you
https://w.atwiki.jp/vocaloidenglishlyric/pages/397.html
【Tags K Shizennoteki-P tK IA】 Original Music title 如月アテンション English music title Kisaragi Attention Romaji music title Kisaragi Atenshon Music Lyrics written, Voice edited by じん(Jin) / 自然の敵P(Shizen'noteki-P) Music arranged by by じん(Jin) / 自然の敵P(Shizen'noteki-P) Singer(s) IA Click here for the original Japanese Lyrics English Lyrics (translated by vgboy / vgperson)： Wow - where am I going tp go? I dunno if regular clothes will work out... Ahh, everything's getting given up this afternoon... Wow - if I wear those tall heels, it'll be a little hard to walk So I'll just throw on this hood, and try not to be found out... In the shopping district, through back alleys Ah, my heart is kind of starting to pound... Suddenly, the wind blows, lifts my hood, and I'm the center of attention; "...I guess I'm not having a regular weekend after all..." It's so harsh, I want to give up - sure, you give me a full house, But it really makes me blue; so I get anxious - I really stand out... It's so harsh, I want to run away - that's what I start to hope for. "Don't look at me anymore!!" ...But I stuff the words away in my pocket. Wow - for such a long time, I've sort of caught people's attention, And I started getting used to even that... Wow - I've heard it before, but I can't exactly seem to remember... "Argh, geez! My constitution sucks!" But of course, I didn't ever say it... As the streets switch into panic, It just makes me want to give up on being an idol... "To think it would be like this..." But I thought so foolishly and simply then, And I planned out my dreams in the glare of the stage lights... It's so harsh, but I can't say it - I'm drowned in cheering, but... "Am I really that good...?" I'm just a bore - I don't get it! It's so harsh, I want to vanish - but I can't speak up "No. You're making me cry..." But I bury away the words in my pocket... ...You can't do this anymore; you hear the cheering, don't you? The things you dreamed of are already right in front of you... If it's "harsh," then change it - you know you're not alone! Now say it - and no need to sound too stylish... Ahh, I think I can do it! I feel like my heart's going to burst, It's overflowing so much; so can I steal yours away?! This "dream" is packed to the brim with all that I want to say... So don't take your eyes off it! And so tomorrow, let's keep skipping ahead!! Romaji lyrics (transliterated by vgboy / vgperson)： wow Ikisaki wa dou shiyou chotto shifuku ja mazui kana Aa, nanimokamo houridashichatta gogo wow Senobishita hiiru ja chotto fumidashi nikui kara sa Sukoshi rafu ni fuudo tsukete barenai you ni ikou Shoutengai rojiura e nukete Aa, nandaka dokidoki shichaisou da Fui ni kaze ga fuitara fuudo ga nugete sugusama kanshuu mesen da "...Yappa itsumodoori no shuumatsu ni nacchaisou desu" Sanzan da naa yametai naa maninonrei! Nante iu kedo Sono jitsu buruu nano de komacchau yo metacchau na Sanzan da naa nigetai naa kitai shichau yo. "Mou watashi o minaide!!" ...Nante kotoba mo poketto ni shimaou. wow Mukashi kara nande ka chotto hitome o hikunda yo naa Sore mo maa, mou narehajimete shimaisou wow Kiita koto arunda chotto omoidasenai kedo "Aa mou! Iya na taishitsu da naa" Sonna koto ie mo shinai keredo Oodoori ga panikku ni kawaru Mou aidoru nante yamechaitai yo "Konna koto ni naru to wa..." Ano hi no baka na watashi wa tanjun shikou de Chotto suteejiraito ni yume o egaichattan desu... Sanzan da yo ienai yo kansei ga afurechau kedo "Kore sonna ii desu ka...?" Tsumannai yo wakaranai yo Sanzan da naa kietai naa koe ni narazu ni "Iya da. Namida ga dechau yo" Sonna kotoba de poketto o umeta ...Konnan ja mou ikenai ne kansei ga kikoeteru desho? Yume miteta fuukei ni kitsuitara mou deatte ite "Sanzan" nara kaetai na hitori janai yo Saa kakkotsukenai you na kotoba de Aa, nandaka ikesou da! Shinzou ga hajikechau hodo Afuredashisou nano de ubacchau yo!? Ubacchau yo!? Tsutaetai koto tsumekonda sonna "yume" kara Mou me o hanasanaide saa saa, ashita mo sukippu de susumou!! [Shizennoteki-P, ShizennotekiP, Shizen-no-teki-P, Jin]
https://w.atwiki.jp/shintarot/pages/19.html
Which prefecture is a Japanese inn in Yuzawa in? asked Cafe racer. Niigata, I answered. Quite so, Cafe racer gave a slight nod and said, Akita does not have it. Besides, it generated a hotel in Yokote. Cafe racer declared a smartphone obstinate. I don t want to be spoken in a strange tongue. She might have got angry in the situation where communication was stopped. When I say I go by two-wheeler, it would mean motorcycle, not bicycle. It is not fatal, for a motorcycle and a bicycle can drive the same road, Spine cut in. Time is the matter. I must not arrive late. You cannot be late. You will rather arrive earlier than a bicycle. His accent still remained contemptuous. Believing blindly you would never be in time, you will indeed never arrive if you have given up. A zero multiplied any number of times still gives a zero. When the kittens were born, said Aircraft carrier with an innocent smile. The father was preparing collars with charms because his 3-year-old child asked him to give these kittens crosses. However, the child insisted those would be too small. The father inquired what he meant. The child said with a puzzled air, Aren t we going to crucify them? The child, Cafe racer had been disgusted. It s me. A strange sign broke the mother s sleep early in the morning. Her 4-year-old daughter s face was looking down at hers from a closely near distance. She whispered, I want to peel all your skin off. Fear thrilled the mother. The sleep had made her forget that she was starting to peel due to a recent sunburn. It was how I was. Cafe racer laughed. Is Mrs. Motoyama there? There was a call from a cram school or a preparatory school. Am I speaking to Mrs. Motoyama? How do you do? He spoke as if he was acquaintances with me. Indeed he said——Nice to meet you. It is because we do not know each other. But it was rather a friendly way of saying it. The woman wearing greenish brown pantaloons rose off the chair again. This pitiable woman must have been deep in a sad state. I listened attentively. Hiroaki is a second-year student at high school. How has he been? Is he preparing to continue to college? I can t answer that. Her eyes turned heavy. Cafe racer told that she probably cannot see her son anymore. I guessed the statement has left her apathetic. Nothing other than that could explicate her sudden excessive talking. A student at A. high school and a family of a student at B. high school had a look at us yesterday. As for Hiroaki, which high school is he at? He knew nothing despite his tone. PREV / NEXT The Point 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8
https://w.atwiki.jp/oper/pages/2339.html
I cannot remember everything. I must have been unconscious most of the time. I remember only the grandiose moment when they all started to sing, as if prearranged, the old prayer they had neglected for so many years - the forgotten creed! But I have no recollection how I got underground to live in the sewers of Warsaw for so long a time. The day began as usual Reveille when it still was dark. "Get out!" Whether you slept or whether worries kept you awake the whole night. You had been separated from your children, from your wife, from your parents. You don't know what happened to them... How could you sleep? The trumpets again - "Get out! The sergeant will be furious!" They came out; some very slowly, the old ones, the sick ones; some with nervous agility. They fear the sergeant. They hurry as much as they can. In vain! Much too much noise, much too much commotion! And not fast enough! The Feldwebel shouts "Achtung! Stilljestanden! Na wird's mal! Oder soll ich mit dem Jewehrkolben nachhelfen? Na jut; wenn ihrs durchaus haben wollt!" ("Attention! Stand still! How about it, or should I help you along with the butt of my rifle? Oh well, if you really want to have it!") The sergeant and his subordinates hit (everyone) young or old, (strong or sick), quiet, guilty or innocent ... It was painful to hear them groaning and moaning. I heard it though I had been hit very hard, so hard that I could not help falling down. We all on the (ground) who could not stand up were (then) beaten over the head... I must have been unconscious. The next thing I heard was a soldier saying "They are all dead!" Whereupon the sergeant ordered to do away with us. There I lay aside half conscious. It had become very still - fear and pain. Then I heard the sergeant shouting „Abzählen!“ ("Count off!") They start slowly and irregularly one, two, three, four - "Achtung!" The sergeant shouted again, "Rascher! Nochmals von vorn anfange! In einer Minute will ich wissen, wieviele ich zur Gaskammer abliefere! Abzählen!“ ("Faster! Once more, start from the beginning! In one minute I want to know how many I am going to send off to the gas chamber! Count off!") They began again, first slowly one, two, three, four, became faster and faster, so fast that it finally sounded like a stampede of wild horses, and (all) of a sudden, in the middle of it, they began singing the Shema Yisroel. Hear, O Israel, the Lord is our God, the Lord is One. You shall love the Lord your God with all your heart, with all your soul and with all your might. And these words which I command you today shall be on your heart. You shall teach them thoroughly to your children, and you shall speak of them when you sit in your house and when you walk on the road, when you lie down and when you rise up. You shall bind them as a sign upon your arm, and they shall be for a reminder between your eyes. And you shall write them upon the doorposts of your house and upon your gates. （注） I cannot remember everything. I must have been unconscious most of the time. I remember only the grandiose moment when they all started to sing, as if prearranged, the old prayer they had neglected for so many years - the forgotten creed! But I have no recollection how I got underground to live in the sewers of Warsaw for so long a time. The day began as usual Reveille when it still was dark. "Get out!" Whether you slept or whether worries kept you awake the whole night. You had been separated from your children, from your wife, from your parents. You don't know what happened to them... How could you sleep? The trumpets again - "Get out! The sergeant will be furious!" They came out; some very slowly, the old ones, the sick ones; some with nervous agility. They fear the sergeant. They hurry as much as they can. In vain! Much too much noise, much too much commotion! And not fast enough! The Feldwebel shouts "Achtung! Stilljestanden! Na wird's mal! Oder soll ich mit dem Jewehrkolben nachhelfen? Na jut; wenn ihrs durchaus haben wollt!" ("Attention! Stand still! How about it, or should I help you along with the butt of my rifle? Oh well, if you really want to have it!") The sergeant and his subordinates hit (everyone) young or old, (strong or sick), quiet, guilty or innocent ... It was painful to hear them groaning and moaning. I heard it though I had been hit very hard, so hard that I could not help falling down. We all on the (ground) who could not stand up were (then) beaten over the head... I must have been unconscious. The next thing I heard was a soldier saying "They are all dead!" Whereupon the sergeant ordered to do away with us. There I lay aside half conscious. It had become very still - fear and pain. Then I heard the sergeant shouting „Abzählen!“ ("Count off!") They start slowly and irregularly one, two, three, four - "Achtung!" The sergeant shouted again, "Rascher! Nochmals von vorn anfange! In einer Minute will ich wissen, wieviele ich zur Gaskammer abliefere! Abzählen!“ ("Faster! Once more, start from the beginning! In one minute I want to know how many I am going to send off to the gas chamber! Count off!") They began again, first slowly one, two, three, four, became faster and faster, so fast that it finally sounded like a stampede of wild horses, and (all) of a sudden, in the middle of it, they began singing the Shema Yisroel. Sh'ma Yisraeil, Adonai Eloheinu, Adonai Echad. V'ahavta eit Adonai Elohecha b'chawl l'vav'cha uv'chawl nafsh'cha, uv'chawl m'odecha. V'hayu had'varim haeileh, asher anochi m'tsav'cha hayom, al l'vavecha. V'shinantam l'vanecha, v'dibarta bam b'shivt'cha b'veitecha, uvlecht'cha vaderech, uv'shawchb'cha uvkumecha. Ukshartam l'ot al yadecha, v'hayu l'totafot bein einecha. Uchtavtam, al m'zuzot beitecha, uvisharecha. Schönberg,Arnold/A Survivor from Warsaw
https://w.atwiki.jp/vocaloidenglishlyric/pages/424.html
【Tags Hachiouji-P Miku q*Left tK K】 Original Music title Keep Only One Love Romaji music title Keep Only One Love Lyrics written by q*Left Music written, Voice edition by 八王子P (Hachiouji-P) Music arranged by 八王子P (Hachiouji-P) Singer(s) 初音ミク (Hatsune Miku) Fanmade Promotional Video(s) Click here for the original Japanese Lyrics English Lyrics (translated by motokokusanagi2009)： Keep only one love... Why have I loved you... More than anyone else I think about you Please, evermore Let me stay next to you In the morning and night All I think about is you Keep only one love... The pouring rain is like my heart When will it stop raining? Come on I cry in the dark night One day you told me Nothing lasts forever But your relationship with her is eternal? Come on Look at me I don't know I can no longer understand you If you are leaving me, Why did you kiss me at that time? Even so It's not that I shouldn't have loved you In the first place Keep only one love... Only I'm getting hurt All I want is you I want to stay by your side I don't want to cry anymore Against my will, my eyes follow you Only to realize you're staring at her You're always like that For once, look at me Stay by my side Touch me, stroke me I wonder What you're thinking about, come on I'm Always, always Thinking of you Being alone at night Makes me feel desolate Even for a moment I want to make your heart fulfilled with me I want to feel it! Why can't you? Even though I'm in love with you so deeply... In my world Only you exist In your world Is there space for me? Who did you have in your heart when you kissed me? Are you seeing her in me? Do you really need me in your world? If not, dump me! I want to tell you this It's okay even if the answer is no I want to hate you But I can't Let it reach you Who love her Anyone else... I love you Keep only one love... Why have I loved you... More than anyone else I think about you Please, evermore Let me stay next to you In the morning and night All I think about is you Stay by my side Hold me tight Love me, be intoxicated by me I want to make your heart fulfilled with me I want you to feel it! Why? Why not me... Keep only one love... Romaji lyrics (transliterated by motokokusanagi2009)： Keep only one love... Why have I loved you... dare yori mo anata no koto omotte iru yo nē itsumo yori sotte itai no asa mo yoru mo anata no koto bakari Keep only one love... furi tsuzui teru ame mo atashi no kokoro mitai de itsu ni nattara yamu no? nē kurai cry yoru itsuka anata wa itta eien nante nai yo tte ano ko towa eien nano? nē kocchi o mui te yo wakan nai mō wakan nai yo hanare te iku nara dōshite ano toki kisu shita no nande kana anata o suki ni nara nakya... nante omowa nai kedo Keep only one love... itai no atashi dake de hoshī nowa anata dake de itai no anata no soba ni mō naki taku nai ki ga tsuku to me de occhau no anata no mesen wa ano ko itsu datte sō tamani wa ne atashi o mite yo soba ni ite fure te nade te anata wa ima nani kangae teru no? nē atashi wa itsumo itsu demo anata no koto dake kangae teru yo hitori no yoru wa samishī no isshun demo anata no kokoro o atashi de mitashi te kanji te tai no! dōshite kon'na ni suki nano... atashi no sekai dewa anata dake nanoni anata no sekai ni atashi wa iru no? dare o omotte kisu shita no? ano ko to kasane teru no? anata no sekai ni atashi wa iru no? ira nai nara sute te yo! tsutae tai no dame demo ī no kirai ni nari taku temo nare nai no dare yori mo ano ko ga suki na anata ni dōka todoi te... suki dayo Keep only one love... Why have I loved you... dare yori mo anata no koto o omotte iru yo nē itsumo yori sotte itai no asa mo yoru mo anata no koto bakari soba ni ite kitsuku daki shime te mede te kuran de anata no kokoro o atashi de mitashi te kanji te hoshī no! dōshite atashi ja nai no... Keep only one love... [Hachiouji-P, HachioujiP, q*Left]